VORTRAG: „Ivane Javakhishvilis langer Schatten. Zur Lage und Entwicklung der Historiographie in Georgien seit 1992.“ Von Dr. Oliver Reisner - in Jena

Am Mittwoch, dem 27.06. wird Dr. Oliver Reisner bei uns in Jena gastieren und einen Vortrag zum Thema „Ivane Javakhishvilis langer Schatten. Zur Lage und Entwicklung der Historiographie in Georgien seit 1992.“ halten. Oliver Reisner hat sich v. a. der neueren und neuesten Geschichte Georgiens gewidmet und zu den folgenden Themen gearbeitet: Nationalismus, Minderheitenrechte und Konfliktbearbeitung in Georgien, Historiographiegeschichte Kaukasiens, Geschichte der Regionalforschung. Er ist Autor der wichtigen Monographie „Die Schule der georgischen Nation“.


Oliver Reisner ist derzeit Mitglied der Delegation der Europäischen Kommission für Georgien.


Mittwoch, 27.06., 16.00Uhr, SR 206, Carl-Zeiss-Str. 3


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On Wednesday, the 27.06. is Dr. Oliver Reisner at us in Jena be held and one lecture on "Ivane Javakhishvilis of long shadow." Keep "to the situation and development of historiography in Georgia since 1992.". Oliver Reisner has notably dedicated to the newer and newest history of Georgia and worked on the following topics: nationalism, minorities and conflict resolution in Georgia, Caucasus historiography history, history of the regional research. He is author of the important book "The school of the Georgian nation".


Oliver Reisner is currently a member of the delegation of the European Commission for Georgia.


Wednesday, 27.06, 16.00Uhr, SR 206, Carl-Zeiss-str. 3

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ART: David Kakabadze and Ivane Javakhishvili

The creative work of David Kakabadze clearly tells about unique ethnogenesis of Georgian culture; here is some definitive information: David Kakabadze (1889-1952) was a painter, graphic artist, theatre and movies painter, art researcher (one of his inventions concerned the already well known category of stereoscopic picture and its equipment implementation. David had presented the materials for author’s right but the materials, as he was told, had been lost, though in some years the authorship of some Russian was acknowledged in the sphere of stereoscopic pictures... This happened in the 40th of the XX century!)

Studying at the faculty of physics and mathematics of Petersburg University David Kakabadze in parallel mastered in painting and arts history, took active part in the work of ”Georgian Students Scientific Circle” - the group of Georgian students living in Russia. This circle was headed by Ivane Javakhishvili and at the same time he taught David history of Georgian arts. It was from then that Ivane became acquainted with David Kakabadze’s painting and highly appraised his works ...

At the time of studying in Petersburg David Kakabadze was so short-handed that on October 6, 1912 Ivane Javakhishvili sent a letter to G. Zdanovich (Maiashvili), the head of the Black Stone Producers Society with the request that the Society Board grant David Kakabadze a stipend or render one-time assistance to the young intellectual. In the letter Ivane Javakhishvili characterizes David Kakabadze as an excellent student and, at the same time, a good artist. In the same letter it is also noted that in 1911 Ivane Javakhishvili had given a sample of ancient Georgian painting (a painting preserved in Georgian manuscript by Vakhtang VI and S.-S.Orbeliani) to David Kakabadze and asked him to make a copy. By the statement of Ivane Javakhishvili David Kakabadze had brilliantly executed the mission. Also by the advice of Iv.Javakhishvili the Georgian Society of History and Ethnography had entrusted David Kakabadze to make colored copies of frescos of Quinn Mariam and other historical persons preserved at the Svetitskhovelihich cathedral in Mtskheta; the work was successfully accomplished by the painter.

In the letter to Zdanovich Ivane Javakhishvili points out that since 1912 David Kakabadze under the supervision of Ivane Javakhishvili prepared the research “Development of ornamented fretwork [ornament] in Georgian goldsmith art according to Georgian icons”. The finding and publishing of this work will save such materials of Georgian cultural heritage that is priceless for our church and art and indisputably will enrich the world art treasury.

The report “Development of ornamented fretwork [ornament] in Georgian goldsmith art according to Georgian icons” David Kakabadze presented to the meeting of the Scientific Circle in October 25, 1912. All the samples of Georgian ornaments are compiled in this work and chronologically dated according to the stages of its development (it is, surely, clear what kind of research we are having to deal with - this is irreplaceable basis of knowledge – of Georgian church architecture, iconography, painting and art studies ...).

In 1915 in Tbilisi was issued “Works of Georgian Students Scientific Circle” of Petersburg University with the preface and editorship of Ivane Javakhishvili where the work “The types of Georgian icons setting” by David Kakabadze was published. In the preface Ivane Javakhishvili notes: “David Kakabadze has studied all known materials and edited pictures, made copies of setting types and investigated chronologically and configurationally, what is that that expresses the development of these types “ ...

Publishing of these materials in high polygraphic level and in several (Georgian, Russian, English, French, German, Hispanic, Italian) languages will have a great importance for the history of Georgian nation, for our cultural heredity, history of Georgian Orthodox apostolic church, for presenting, once more, of Georgia as one of the foundation makers of European Renaissance and for future generations of Georgians, as well. It is time that the civilized world became acquainted with the beginning steps of creative work of David Kakabadze.

Mamuka Matsaberidze

Website about David Kakabadze