Politik, Kultur, Geschichte, Wirtschaft, Internet und andere Aspekte über den Süd-Kaukasus // Politic, Culture, History, Economy, Internet And Other Aspects About South-Caucasus // Re-Blogged & Posted By Ralph Hälbig
Caucasus Update No. 53 - Caucasian Review of International Affairs (CRIA)
For some time, there have been fears that Turkey has begun moving away from its traditional Euro-Atlantic orientation, towards the Middle East and the Muslim world. Turkey’s condemnation of Israel’s attack on Gaza in January was followed by Prime Minister Recep Tayyip Erdogan’s walk-out during a debate with Israeli President Shimon Peres at the World Economic Forum.
In early October, Turkey vetoed Israel’s participation in a joint air-force exercise, again citing its conduct in Gaza. In the same week Turkish TV aired a show portraying Israeli soldiers as child- killers, provoking fury in Tel Aviv.
On a recent visit to Iran, the Turkish premier signed a gas deal and several economic cooperation agreements (Press TV, October 28). Before the visit, Mr Erdogan defended Iran’s right to nuclear energy and accused those countries which oppose Tehran’s atomic program of hypocrisy (Guardian, October 26). Iran’s President Mahmoud Ahmadinejad was understandably delighted, and pundits in the West were understandably shaken.
The New York Times argued that lack of progress on EU membership was driving Turkey away (NY Times, October 27). The Christian Science Monitor called it ‘worrisome’ (Christian Science Monitor, October 29). Overall, the assumption seems to be that Turkey’s growing clout, and disillusionment with its EU membership talks, is leading it towards a closer relationship with autocratic Middle Eastern states like Iran and Syria.
So are Europe and America ‘losing’ Turkey? Probably not. The evidence in support of this theory is disjointed and selective, and ignores other key facts. On Israel, for instance, this argument assumes that Turkey’s fury over Gaza is in some way manufactured, that it is designed entirely to win support on the ‘Arab street’ (and indeed the Persian street).
Although Turkey’s leaders are not blind to the credit that this will earn them in the Muslim world (also, within Turkey itself), there is little doubt that their anger is genuine. Turkey has been attempting to encourage progress on the Arab-Israeli peace process for years, and saw its fragile gains destroyed during Operation Cast Lead. Rightly or wrongly, Ankara sees Israel as mainly responsible. As for the TV program, it would be absurd to assume that the Turkish government was responsible for the content and the timing.
It is also odd to link Turkish anger at Israel with turning away from the EU. For all its links with Brussels and Washington, the Jewish state is not an integral part of ‘the West’, geographically or politically. Ankara is quite capable of opposing Israel’s actions without abandoning its EU membership application. And although the reputation of that process is heavily tarnished, and there is significant frustration amongst ordinary Turks over European hostility to Turkish membership, EU integration remains a priority of the AKP Government.
Senior Turkish officials have made this plain in recent days. They also poured cold water on the whole idea that Turkey is turning East – “Is it so easy to change direction?” asked President Abdullah Gul rhetorically (Today’s Zaman, October 30).
This statement hints at the heart of the matter. Complex states do not have a single geopolitical ‘direction’. President Gul visited Serbia on October 26th, but this hardly means that Ankara is seeking to re-establish Ottoman influence in the Balkans, as some seem to believe it is doing in the Middle East. To take another parallel, no-one would seriously believe that increased US diplomacy towards China would be a sign of abandoning NATO and Europe.
Ankara’s foreign policy, now more than ever, is famously focused on ‘zero problems with neighbours’ (RFE/RL, October 30). Given Turkey’s unique position at the confluence of so many different regions, this policy is bound to involve dealing with states whom the West distrusts – Iran, Russia, and Syria, for instance.
Expecting Turkey to suspend cooperation with Tehran is an easy judgement to make in Washington or Brussels, but not so in Ankara. An otherwise hostile Wall Street Journal acknowledged this on October 30, recognising that “nations do not have the luxury of picking their neighbours” (Wall Street Journal, October 30). Turkey needs Iran to cooperate: on energy, trade, and on containing Kurdish militants.
In any case, Turkey has absolutely no interest in a nuclear Iran. What most commentaries fearing a Turkish-Iranian alliance ignore is that, just a few weeks ago, Ankara ordered advanced Patriot missile batteries from the US (Eurasia Daily Monitor, September 16). It was keen to insist that this was not due to any threat, but the move is obviously in response to Iran’s strategic missile programme. Mr Erdogan’s praise of President Ahmadinejad was, given this context, simple diplomacy, made before a visit in which he hoped to secure extensive trade and energy deals. It would have been surprising, and contrary to Turkey’s foreign policy, to have prepared for his visit by thundering against the country’s nuclear program.
The ‘losing Turkey’ argument – which assumes that, given the AK Party’s Islamist past, Turkey is also becoming more Islamic in nature - also ignores moves such as the thaw with Christian Armenia. This was also undertaken in the framework of the same “zero problems” concept.
Assuming that Turkey is somehow moving away from the West, towards the Middle East, or towards some kind of pact with Iran, is a narrow view. It ignores historic rivalry between them, fails to recognise Turkish fears of an Iranian nuclear weapon (whatever Mr Erdogan might say in public), and conflates Israel with the EU or NATO. Most importantly, it underestimates Ankara’s foreign policy. Turkey is smart enough to be able to look East and West at the same time.
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Lohnenswert: Dokumentarfilm von Ruth OlshanWIE LUFT ZUM ATMENist eine Reise in ein kleines Land zwischen Asien und Europa, das zu unrecht zwischen den Grenzen der Kulturen vergessen wird: Georgien, das hier in seiner ganzen Schönheit, seinem Zauber und seiner Vielfältigkeit eingefangen ist. Der Dokumentarfilm von Ruth Olshan entdeckt vor allem die beeindruckende Musik Georgiens, in der die kulturelle Identität seiner Bewohner tief verwurzelt ist. In den fast verloren gegangenen und wieder entdeckten Gesängen und Tänzen, die die UNESCO auf die Liste des Weltkulturerbes gesetzt hat, meint man Stimmen und Lieder aus einer vergangenen Zeit zu hören.
Musik sei für sie so wichtig wie die Luft zum Atmen, erzählt eine Protagonistin im Film und man versteht sie sofort. Ruth Olshans vielschichtiges Porträt eines Landes, seiner Menschen und ihrer Musik zeigt, was das Besondere an der georgischen Musik ist: die Lebendigkeit der Folklore im Alltag, die aufrecht erhaltene Tradition, die in den Texten gespeicherten Mythen, das soziale Erleben der Musik, die regionale Unterschiedlichkeit der Kultur, und die Musiker, die die Musik heute auch in Pop- und Jazzbereiche weiterführen."Großartige Bilder, sympathische Protagonisten und schöne, unvertraute Musik!" (filmdienst)
"Ruth Olshan hat einen sehr feinen Musikfilm gemacht, der einen Ort 90 Minuten zum Klingen bringt" (zitty)
"Eine berückende Hommage an ein Volk, dessen große Kultur durchströmt wird von Gesang" (Rheinischer Merkur)
"Folklore kann ganz schön cool sein!" (Die Welt)
"Ein ‚Hit’ für musikbegeisterte Weltreisende im Kino!" (programmkino.de)
Ruth Olshan in her film portrays musicians who work with different approaches: a male choir searching and cultivating old folk songs in the Caucasus region, a female choir, a school dance company and musicians who enhance Georgian folk music. There is a common denominator that links the diverse protagonists in Olshan’s film: Singing, dancing and music are crucial elements of their lifestyle. Music is as important as “air to breath,” explains the director of the female choir . The subtle camera work discreetly catches moments and spontaneous encounters, showing that the rehearsals and the singing brings moments to these women where they are taken away from their normal course of life. For life in Rustavi, a small town near Tiflis, seems bleak. The industry is dead, the unemployment rate is enormous. You ask yourself how people can live. The choir women’s beauty and positive energy exude an affirmative sign of life, even in mournful moments. Men and women sing and dance both joy and sorrow off their chest. In Georgia, music seems to be omnipresent, almost existential. Even if a young singer does not think folk music is “sexy”, he still gets hooked. It gets under his skin. The film pays tribute to this fascination, vitality, and spiritedness.
Verantwortlich: Ralph Hälbig, Heinzelmannweg 3, 04277 Leipzig, Deutschland, mobil: 01799094675 e-mail: Ralph.Haelbig@mdr.de and Ralph.Haelbig@googlemail.com
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